Nose Bridge to Nose Width0.0
Ramus to Mandible Ratio2.1
Che Guevara
Facial Harmony Analysis
Overall
5.6
Top 43%·Good harmony
Front
4.5
Bottom 46%
Side
7.4
Top 2.2%
Ratio Breakdown
Side Profile
Strengths
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.9
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.8
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.8
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.8
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.6
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.5
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
8.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.6
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.8
Additional Strengths
8 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.7%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
6.1%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
6.1%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
4.6%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.7%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.5%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.1%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.6%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.4%
Overly long ramus
The vertical part of the jawbone is too long, elongating the lower face.
2.4%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.6%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.6%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
0.5%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
0.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
11.0%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
