Chin to philtrum ratio1.4
Facial Convexity (Nasion)1.9
Luke Evans
Facial Harmony Analysis
Overall
6.7
Top 10%·Great harmony
Front
7.7
Top 0.9%
Side
5.1
Top 49%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.6
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.6
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.5
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.3
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.3
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.1
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
8.8
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
9.3%
Overprojected chin
The chin extends too far forward, unbalancing the facial profile.
7.4%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
4.8%
Underprojected nose
The nose lacks forward projection, appearing flat and less defined in the profile.
3.5%
Moon facial profile
The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
3.5%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
3.4%
Hypo-divergent jaw growth
The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
3.3%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
3.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.3%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
3.3%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.0%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
2.0%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.2%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
0.9%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.7%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.6%
Short middle third
The midface is too short vertically, compressing the central face.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
5.5%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
