Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)0.7
Submental Cervical Angle1.0
patrick J.Adam
Facial Harmony Analysis
Overall
4.8
Bottom 48%·Average harmony
Front
4.4
Bottom 41%
Side
5.4
Top 46%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.8
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.4
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.4
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.6
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.2%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
7.6%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
6.1%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
4.7%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
4.1%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.7%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.7%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
2.6%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.2%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
2.1%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
1.5%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
1.5%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.4%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.1%
Short lower third
The lower face is too short, reducing chin and jaw prominence.
1.1%
Short middle third
The midface is too short vertically, compressing the central face.
0.9%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.7%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
4.3%
Minor Proportional Variations
3 ratios showing minor proportional variations that contribute to overall harmony score.
