Mouth width to nose width ratio0.5
Submental Cervical Angle0.1
Drake
Facial Harmony Analysis
Overall
4.7
Bottom 47%·Average harmony
Front
5.4
Top 46%
Side
3.4
Bottom 12%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.7
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.7
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.4
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.4
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.2
Good jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.2
Good upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
8.8
Good forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.6
Additional Strengths
10 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
7.4%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
5.3%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
4.5%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.9%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
3.5%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.4%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
2.9%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.5%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
2.5%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
2.2%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.1%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.0%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.0%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.0%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.6%
Underprojected midface
The midface is underprojected.
1.2%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.1%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.1%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.1%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.7%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
4.7%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
