Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)2.6
Upper Lip S-Line Position1.9
Glen Powell
Facial Harmony Analysis
Overall
6.2
Top 22%·Very good harmony
Front
4.8
Bottom 48%
Side
8.4
Top 0.05%
Ratio Breakdown
Side Profile
Strengths
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.8
Balanced jaw growth
This contributes to a pleasant jaw contour in both the front and side profiles.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.6
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.3
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.1
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.0
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.0
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.6%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
5.0%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
4.3%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.3%
Overly narrow and compact eye shape
The eyes are too slim and elongated, creating a squinted appearance.
2.4%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
2.3%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.2%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.6%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.1%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
0.9%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
0.9%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
0.7%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.7%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.6%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
0.5%
Droopy nose
The nose droops downward, creating an unbalanced nasal profile.
0.4%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
4.6%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
