Nose Bridge to Nose Width0.9
Recession relative to frankfort plane2.0
Ian Somerhalder
Facial Harmony Analysis
Overall
6.1
Top 26%·Good harmony
Front
4.9
Bottom 49%
Side
8.0
Top 0.3%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.3
Good ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.1
Good midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
8.6
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
8.5
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.6
Additional Strengths
8 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.7%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.9%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.8%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.7%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.7%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.1%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
1.8%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.6%
Overly narrow and compact eye shape
The eyes are too slim and elongated, creating a squinted appearance.
1.5%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
1.4%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.2%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
1.1%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.9%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.7%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
0.5%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.5%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
