Lower Third Proportion0.4
Gonion to mouth line0.7
Karina (aespa)
Facial Harmony Analysis
Overall
5.3
Top 47%·Slightly above average harmony
Front
6.3
Top 19%
Side
3.8
Bottom 22%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.9
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.5
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.4
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.4
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
8.5
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.7
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
10.0%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
9.9%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
9.9%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
9.7%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
7.5%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
5.0%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
4.6%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
2.9%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.9%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.9%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.9%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.7%
Overly round eye shape
The eyes appear excessively round.
2.0%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
1.8%
Underprojected midface
The midface is underprojected.
1.2%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
0.9%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.7%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.4%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.4%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.2%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
4.3%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
