Chin to philtrum ratio1.1
Gonial Angle5.3
Madelyn Cline
Facial Harmony Analysis
Overall
8.0
Top 0.5%·Exceptional harmony
Front
7.6
Top 1.3%
Side
8.5
Top 0.04%
Ratio Breakdown
Side Profile
Strengths
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.7
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.7
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.5
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.5
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.4
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.3
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.2
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
8.9
Good nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.8
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.6%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
3.4%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
3.4%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.4%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
1.4%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.8%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
0.5%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
0.3%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.2%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
8.5%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
