Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)3.1
Recession relative to frankfort plane1.3
Timothée Chalamet
Facial Harmony Analysis
Overall
5.2
Top 48%·Slightly above average harmony
Front
5.9
Top 33%
Side
4.1
Bottom 31%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.9
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.5
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
8.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.7
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.4%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
4.8%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
4.4%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
4.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.0%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.8%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.8%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
3.7%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.6%
Soft and weak brow ridge
The forehead has a softer, less prominent ridge than the ideal.
2.1%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.7%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.4%
Overly round eye shape
The eyes appear excessively round.
1.1%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
0.8%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
0.7%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.7%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.6%
Short lower third
The lower face is too short, reducing chin and jaw prominence.
0.4%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.1%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
