Lower Third Proportion0.0
Recession relative to frankfort plane2.3
Winter (aespa)
Facial Harmony Analysis
Overall
5.8
Top 40%·Good harmony
Front
5.7
Top 41%
Side
5.9
Top 34%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.6
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.3
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.2
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.1
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Additional Strengths
11 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
7.0%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
6.8%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
5.8%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.8%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
3.6%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.6%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.0%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.0%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
2.8%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.7%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.7%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
1.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.6%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
1.0%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
1.0%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.0%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.9%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.4%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
5.5%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.
