Lower Third Proportion1.0
Total Facial Convexity4.3
Anya Taylor-Joy
Facial Harmony Analysis
Overall
6.2
Top 24%·Very good harmony
Front
4.4
Bottom 43%
Side
8.9
Top 0.008%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.6
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.6
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.6
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.5
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.2
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.1
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.8%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
5.3%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.3%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
4.5%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.0%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.8%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.6%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.3%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
2.1%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
1.8%
Overly round eye shape
The eyes appear excessively round.
1.8%
Wide forehead
The forehead is excessively wide, creating a disproportionate upper face.
1.0%
Overly wide nose bridge
The nose bridge is excessively wide.
0.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
3.1%
Minor Proportional Variations
2 ratios showing minor proportional variations that contribute to overall harmony score.
