Nose Bridge to Nose Width1.5
Nasofrontal Angle1.6
David Dobrik
Facial Harmony Analysis
Overall
5.9
Top 32%·Good harmony
Front
5.0
Bottom 50%
Side
7.4
Top 2%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.8
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.6
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.6
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.6
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.5
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.5
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.5
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.5
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.5
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.4
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.4
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.5%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
4.7%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.9%
Soft and weak brow ridge
The forehead has a softer, less prominent ridge than the ideal.
2.5%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.5%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.5%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.5%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
2.5%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.4%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.2%
Overly round eye shape
The eyes appear excessively round.
1.4%
Short top third
The upper face (forehead) is too short, reducing vertical balance.
1.4%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.3%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
1.3%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.0%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
0.4%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
4.9%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.
