Lower Third Proportion0.0
Upper Forehead Slope0.0
Erik King
Facial Harmony Analysis
Overall
3.7
Bottom 20%·Below average harmony
Front
3.0
Bottom 4.9%
Side
5.0
Bottom 50%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.8
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.5
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.4
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.3
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.3
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.0
Good maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.8
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.8%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
6.6%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
6.3%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
6.3%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
6.3%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
5.1%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
5.1%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.6%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
3.3%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
3.2%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.5%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.4%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.4%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
2.2%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
2.2%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
2.2%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.7%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
1.6%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.5%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.6%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
0.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
8.2%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
