Nose Bridge to Nose Width0.0
Nasal Tip Angle1.0
Jacksepticeye
Facial Harmony Analysis
Overall
4.9
Bottom 49%·Average harmony
Front
3.6
Bottom 17%
Side
7.0
Top 6.2%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.4
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.3
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.8
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.8
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.1%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
6.8%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
5.5%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
5.0%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
4.2%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
4.0%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.8%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.7%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.5%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.4%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
2.3%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
2.2%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.2%
Overly narrow and compact eye shape
The eyes are too slim and elongated, creating a squinted appearance.
2.1%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.8%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.4%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.4%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
1.3%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
1.2%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
0.2%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
4.1%
Minor Proportional Variations
3 ratios showing minor proportional variations that contribute to overall harmony score.
