This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

14 ratios showing strong performance but not fitting into specific categorized strengths.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The nose lacks forward projection, appearing flat and less defined in the profile.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The lower face is too tall, creating an elongated chin and jaw.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The lower lip is too recessed, reducing fullness and profile balance.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The neck is too slim, appearing delicate and less proportionate to the face.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The upper lip is set too far back, creating a flat or thin appearance.

The upper face (forehead) is too short, reducing vertical balance.

The forehead slopes backward excessively, altering upper face proportions.

The eyebrows lack adequate horizontal length.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The nose bridge is excessively narrow.

7 ratios showing minor proportional variations that contribute to overall harmony score.