Nose Bridge to Nose Width0.3
Lower Lip Burstone Line0.0
Iman Gadzhi
Facial Harmony Analysis
Overall
5.0
Top 50%·Average harmony
Front
4.4
Bottom 43%
Side
5.9
Top 31%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.9
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.6
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.5
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.5
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.1
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
8.8
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.5
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.4
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
5.9%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
5.8%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
5.3%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
4.9%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
4.0%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
4.0%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.4%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.1%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
2.9%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
2.3%
Short top third
The upper face (forehead) is too short, reducing vertical balance.
2.2%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.9%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
1.9%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.9%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.5%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.4%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.1%
Overly round eye shape
The eyes appear excessively round.
1.0%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
0.7%
Long middle third
The midface is too tall, elongating the central face.
0.4%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
6.6%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.
