Lower Third Proportion0.1
Submental Cervical Angle1.2
John Travolta
Facial Harmony Analysis
Overall
5.8
Top 36%·Good harmony
Front
4.8
Bottom 48%
Side
7.5
Top 1.4%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.9
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.8
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.5
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.2
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.2
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.1
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.1
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.5
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
8.5
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.8
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
9.6%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
4.6%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
4.0%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.3%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.0%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.0%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
1.7%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.6%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.3%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
1.2%
Wide mouth
The mouth is excessively wide, creating an unbalanced oral region.
1.2%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.2%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
1.1%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
1.0%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.9%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
5.2%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
