Nose Bridge to Nose Width0.5
Nasal Tip Angle0.5
Louis Garrel
Facial Harmony Analysis
Overall
5.2
Top 48%·Slightly above average harmony
Front
4.5
Bottom 44%
Side
6.4
Top 17%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.7
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.5
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.5
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.4
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.3
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.2
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.8
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
7.4%
Hypo-divergent jaw growth
The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
7.1%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
4.0%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.4%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.0%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
2.7%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
2.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.6%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.6%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
2.6%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.3%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.2%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
2.2%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.9%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
1.6%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
1.5%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
1.5%
Overly wide nose bridge
The nose bridge is excessively wide.
0.7%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.3%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
8.3%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
