One Eye Apart Test2.1
Submental Cervical Angle3.5
Minji (Newjeans)
Facial Harmony Analysis
Overall
6.4
Top 17%·Very good harmony
Front
5.4
Top 47%
Side
8.1
Top 0.3%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.5
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.3
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.1
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
8.8
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.8
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.8
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.3%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.7%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
3.3%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.0%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
3.0%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.4%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.4%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.4%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
2.3%
Overly round eye shape
The eyes appear excessively round.
2.2%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.2%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
0.8%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
0.7%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.4%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
0.3%
Overly wide nose bridge
The nose bridge is excessively wide.
3.6%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
