This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is too short, creating an unbalanced lower face proportion.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The middle of the face is too short, appearing compressed or wide.

The nose is too short vertically, creating a less balanced midface.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower jaw is too long, creating a heavy or extended lower face.

The lower face is too tall, creating an elongated chin and jaw.

The upper lip is excessively thick, creating disproportionate lip proportions.

The lower lip is excessively thick, creating disproportionate lip proportions.

The neck lacks angularity, appearing soft and undefined in the profile view.

The lower lip juts out excessively, unbalancing the lower face.

The eyes are positioned too close together, reducing midface balance.

The central midface is too wide, often due to wide-set eyes or a short nose.

The cheekbones are moderately low, providing limited midface definition.

The midface is too short vertically, compressing the central face.

The eyebrows lack adequate horizontal length.

The mouth corners are downturned, creating a frowning or sad appearance.

The forehead slopes backward excessively, altering upper face proportions.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

7 ratios showing minor proportional variations that contribute to overall harmony score.