Lower Third Proportion1.4
Recession relative to frankfort plane1.8
Paul Newman
Facial Harmony Analysis
Overall
5.8
Top 35%·Good harmony
Front
5.4
Top 46%
Side
6.6
Top 13%
Ratio Breakdown
Side Profile
Strengths
10.0
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Ideal jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.8
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.6
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.5
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.3
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.2
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.2
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
8.8
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.4
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.1%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
4.5%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
4.4%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
4.4%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.9%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
3.8%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.8%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.6%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
2.6%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.6%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.9%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.5%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
1.3%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.0%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
0.8%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.6%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.5%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.4%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
1.6%
Minor Proportional Variations
3 ratios showing minor proportional variations that contribute to overall harmony score.
