Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)3.0
Orbital Vector6.4
Taylor Hill
Facial Harmony Analysis
Overall
8.0
Top 0.3%·Exceptional harmony
Front
7.6
Top 1.2%
Side
8.7
Top 0.02%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Ideal eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.9
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.6
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.5
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.5
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.4
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.4
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.4
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.3
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.2
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.9
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.4%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.4%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.1%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.9%
Overly round eye shape
The eyes appear excessively round.
1.8%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
0.9%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
0.8%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.5%
Overly long eyebrows
The eyebrows display excessive horizontal length.
0.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.5%
Overly rounded and undefined nasal tip
The nose tip is too round, lacking sharpness and definition.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
2.6%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
