Eye Aspect Ratio0.1
Recession relative to frankfort plane0.2
Greg Doucette
Facial Harmony Analysis
Overall
2.5
Bottom 1.8%·Poor harmony
Front
1.9
Bottom 0.3%
Side
4.2
Bottom 33%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.3
Good nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
8.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.8
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.4
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
9.0%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
7.4%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
7.0%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
4.8%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
4.8%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
4.6%
Overly round eye shape
The eyes appear excessively round.
4.5%
Low-set cheekbones
The cheekbones are positioned too low, reducing midface prominence and youthfulness.
4.5%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.7%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
3.5%
Underprojected midface
The midface is underprojected.
3.1%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
3.1%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
3.1%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.4%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.4%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.4%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
2.4%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.1%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
1.8%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.7%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
1.4%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.1%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
1.0%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.0%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.8%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.7%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.7%
Overly upturned nose
The nose is overly upturned, creating an unbalanced nasal profile.
0.5%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
6.5%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.
