Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)1.0
Recession relative to frankfort plane3.5
Kylie Jenner
Facial Harmony Analysis
Overall
6.8
Top 8.7%·Great harmony
Front
6.4
Top 17%
Side
7.4
Top 2.3%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.8
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.6
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.6
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.6
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.5
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.3
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.1
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.9
Additional Strengths
12 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.2%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
4.2%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.0%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.8%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.7%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
2.2%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.2%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.1%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.0%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.0%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.0%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.0%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
0.9%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.9%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.8%
Overly round eye shape
The eyes appear excessively round.
9.3%
Minor Proportional Variations
11 ratios showing minor proportional variations that contribute to overall harmony score.
