Nose Bridge to Nose Width0.9
Nasal Tip Angle3.8
Charli D'Amelio
Facial Harmony Analysis
Overall
6.8
Top 8.7%·Great harmony
Front
5.8
Top 38%
Side
8.4
Top 0.08%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.6
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.1
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.9
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
8.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.8
Additional Strengths
11 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.2%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.2%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
5.2%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
4.4%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
4.3%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
4.1%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.8%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.7%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
2.3%
Overprojected chin
The chin extends too far forward, unbalancing the facial profile.
2.0%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.6%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.4%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.0%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
4.1%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.
