Nose Bridge to Nose Width0.0
Upper Lip S-Line Position1.4
Sendhil Ramamurthy
Facial Harmony Analysis
Overall
6.5
Top 15%·Very good harmony
Front
5.6
Top 42%
Side
7.9
Top 0.6%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.9
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.8
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.8
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.7
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.7
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.5
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.4
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.4
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
8.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.9%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
3.9%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.4%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
3.4%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
3.0%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.3%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
1.7%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.7%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.4%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.2%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
0.7%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.5%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
4.1%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
