Mouth width to nose width ratio0.6
Gonial Angle0.3
Yoona
Facial Harmony Analysis
Overall
5.5
Top 45%·Good harmony
Front
6.1
Top 27%
Side
4.6
Bottom 47%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.8
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.8
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.4
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.7
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.6
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
11.7%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
8.2%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
6.1%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
5.8%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
5.2%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.5%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.9%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.9%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.8%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.8%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.8%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.8%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.4%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
1.7%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
1.0%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.9%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
0.7%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.4%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.4%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.8%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
