Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)0.0
Submental Cervical Angle0.8
Anitta
Facial Harmony Analysis
Overall
5.5
Top 46%·Good harmony
Front
6.2
Top 22%
Side
4.3
Bottom 36%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.5
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.4
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.6
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.3%
Hypo-divergent jaw growth
The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
7.6%
Overprojected chin
The chin extends too far forward, unbalancing the facial profile.
7.5%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
6.7%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
4.3%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
4.1%
Moon facial profile
The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
3.8%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.1%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.3%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
2.3%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
2.2%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.2%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.2%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.2%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.2%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.9%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.9%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.2%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
1.1%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
5.4%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
