Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)0.9
Recession relative to frankfort plane0.8
Emma Chamberlain
Facial Harmony Analysis
Overall
5.4
Top 46%·Good harmony
Front
5.1
Top 49%
Side
6.0
Top 28%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.6
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.5
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.4
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.4
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.4
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.3
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.3
Good nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.2
Good mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.1
Good upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
8.5
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.6
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.8%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
5.6%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
4.2%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.2%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.9%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.8%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.3%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.2%
Overly long ramus
The vertical part of the jawbone is too long, elongating the lower face.
1.7%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.5%
Wide forehead
The forehead is excessively wide, creating a disproportionate upper face.
1.1%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.8%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
0.7%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.7%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
0.6%
Long middle third
The midface is too tall, elongating the central face.
0.1%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
11.7%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
