Nose Bridge to Nose Width0.0
Submental Cervical Angle2.2
Adin Ross
Facial Harmony Analysis
Overall
4.9
Bottom 49%·Average harmony
Front
3.2
Bottom 8.9%
Side
7.6
Top 1.1%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Ideal mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.7
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.6
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.0%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
6.8%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
5.1%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
3.6%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.3%
Low-set cheekbones
The cheekbones are positioned too low, reducing midface prominence and youthfulness.
3.3%
High-set eyebrows
The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.
3.3%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
3.0%
Overly compact midface
The middle of the face is too short, appearing compressed or wide.
3.0%
Overly broad interior midface
The central midface is too wide, often due to wide-set eyes or a short nose.
2.8%
Short nose
The nose is too short vertically, creating a less balanced midface.
2.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.6%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
1.6%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
1.6%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.5%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.4%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
0.9%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.8%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
9.5%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
