Lower Third2.7
Nose Tip Rotation Angle3.3
Cameron Monaghan
Facial Harmony Analysis
Overall
7.0
Top 5%·Great harmony
Front
6.3
Top 19%
Side
8.1
Top 0.2%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.3
Good eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
8.6
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.5
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.5%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
4.0%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.1%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.4%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.2%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.2%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.2%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
2.1%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
1.6%
Overly compact midface
The middle of the face is too short, appearing compressed or wide.
1.6%
Overly broad interior midface
The central midface is too wide, often due to wide-set eyes or a short nose.
1.5%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.4%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.4%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.3%
Overly upturned nose
The nose is overly upturned, creating an unbalanced nasal profile.
6.7%
Minor Proportional Variations
10 ratios showing minor proportional variations that contribute to overall harmony score.
