Lower Third Proportion1.5
Submental Cervical Angle0.3
V (BTS)
Facial Harmony Analysis
Overall
7.0
Top 5.7%·Great harmony
Front
7.2
Top 3.6%
Side
6.7
Top 10%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.7
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.6
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.6
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.6
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.5
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
8.9
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
8.9
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
8.7
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.6
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.4
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.5%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.6%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.6%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.6%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.4%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.1%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.6%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
1.5%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
1.4%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
1.3%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
1.2%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.1%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
5.9%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
