Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)1.5
Recession relative to frankfort plane1.1
Emily Ratajkowski
Facial Harmony Analysis
Overall
7.0
Top 5%·Great harmony
Front
7.4
Top 2%
Side
6.4
Top 17%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.5
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.4
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.2
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.1
Good upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.7
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
7.5%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
7.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.8%
Droopy nose
The nose droops downward, creating an unbalanced nasal profile.
2.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.3%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
2.1%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.0%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.7%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
1.7%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.6%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
0.7%
Overly wide nose bridge
The nose bridge is excessively wide.
0.1%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
2.9%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
