Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)0.5
Submental Cervical Angle0.0
Christopher Nolan
Facial Harmony Analysis
Overall
5.0
Bottom 50%·Average harmony
Front
3.3
Bottom 9.6%
Side
7.7
Top 0.9%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Ideal mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.5
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.5
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.4
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
8.8
Good upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.2
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
7.8%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
6.6%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
5.7%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
4.6%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.8%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
2.5%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
2.4%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
2.1%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
2.0%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
2.0%
Overly round eye shape
The eyes appear excessively round.
0.8%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.7%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
0.7%
Long middle third
The midface is too tall, elongating the central face.
0.6%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
0.5%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.4%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.4%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
1.5%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
