Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)1.1
Upper Lip S-Line Position3.2
Daniel Radcliffe
Facial Harmony Analysis
Overall
6.1
Top 25%·Good harmony
Front
5.0
Top 50%
Side
7.9
Top 0.6%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.4
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.3
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.1
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.7
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.6%
Hypo-divergent jaw growth
The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
5.2%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
4.4%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
2.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.3%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.3%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.3%
Short lower third
The lower face is too short, reducing chin and jaw prominence.
2.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
1.9%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
1.6%
Overly round eye shape
The eyes appear excessively round.
1.5%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.5%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.3%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.3%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
0.7%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
0.7%
Long middle third
The midface is too tall, elongating the central face.
7.2%
Minor Proportional Variations
10 ratios showing minor proportional variations that contribute to overall harmony score.
