Lower Third Proportion0.0
Nose Tip Rotation Angle1.2
David Bowie
Facial Harmony Analysis
Overall
3.8
Bottom 23%·Below average harmony
Front
2.4
Bottom 1.2%
Side
6.4
Top 17%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.6
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.3
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.2
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.1
Good ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.7
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
10.9%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
7.8%
Short nose
The nose is too short vertically, creating a less balanced midface.
7.7%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
7.0%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
6.7%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
6.6%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
6.1%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
4.4%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.2%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.4%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
3.1%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
3.1%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.6%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.6%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
2.3%
Overly round eye shape
The eyes appear excessively round.
2.0%
Short middle third
The midface is too short vertically, compressing the central face.
1.9%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.5%
Overly upturned nose
The nose is overly upturned, creating an unbalanced nasal profile.
1.4%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.2%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.7%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
0.7%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
0.6%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.5%
Wide forehead
The forehead is excessively wide, creating a disproportionate upper face.
0.3%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
5.7%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
