This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The face is excessively tall and narrow, creating an elongated appearance.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The forehead has a softer, less prominent ridge than the ideal.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The eyes are positioned too close together, reducing midface balance.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The forehead is too slim relative to the face, reducing upper face balance.

The upper forehead slopes backward excessively.

The cheekbones are moderately low, providing limited midface definition.

The nose bridge is excessively narrow.

The forehead slopes backward excessively, altering upper face proportions.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The eyebrows lack adequate horizontal length.

6 ratios showing minor proportional variations that contribute to overall harmony score.