Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


5.1
Average harmony
Top 49%This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.9This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.8This contributes to a harmonious midface due to the midface having ideal forward projection.
9.6This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.6This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.5This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.1This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.615 ratios showing strong performance but not fitting into specific categorized strengths.
9.7The middle of the face is elongated, creating an unbalanced vertical proportion.
11.2%The upper jaw is excessively long, unbalancing the lower face proportions.
8.1%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
7.5%The lower jaw is too short, reducing lower face strength and balance.
7.5%The nose appears too soft and weak, creating an unbalanced nasal profile.
7.1%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
5.1%The chin extends too far forward, unbalancing the facial profile.
4.1%The upper lip is set too far back, creating a flat or thin appearance.
4.1%The upper lip lacks fullness, appearing too slim relative to the lower lip.
4.1%The nose is overly upturned, creating an unbalanced nasal profile.
4.0%The nose is too broad, creating an unbalanced facial appearance.
3.4%The mouth is too slim, reducing expressiveness and facial proportion.
3.2%The jaw has a softer, rounder shape, often less angular and robust than the ideal.
3.0%The nose is too long vertically, unbalancing the midface proportions.
2.5%The jaw angles sharply downward, creating a narrow or pointed chin effect.
2.1%The neck is too slim, appearing delicate and less proportionate to the face.
2.0%The lower lip lacks fullness, appearing too slim relative to the upper lip.
1.8%The lower face is too short, reducing chin and jaw prominence.
1.4%The face is excessively tall and narrow, creating an elongated appearance.
1.2%The lower lip is too recessed, reducing fullness and profile balance.
1.1%The nose bridge is excessively narrow.
0.9%The eyebrows lack adequate horizontal length.
0.7%The midface is too tall, elongating the central face.
0.5%The forehead slopes backward excessively, altering upper face proportions.
0.3%5 ratios showing minor proportional variations that contribute to overall harmony score.
4.4%