Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)1.2
Submental Cervical Angle0.9
Elizabeth Taylor
Facial Harmony Analysis
Overall
6.8
Top 8.9%·Great harmony
Front
6.9
Top 7.1%
Side
6.6
Top 13%
Ratio Breakdown
Side Profile
Strengths
10.0
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.7
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.7
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.5
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.4
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.3
Good eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.1
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
8.6
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.3%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
6.3%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
5.8%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
4.7%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
4.2%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.8%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
1.6%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.5%
Overly wide nose bridge
The nose bridge is excessively wide.
0.3%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
5.3%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
