This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

14 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The chin extends too far forward, unbalancing the facial profile.

The neck lacks angularity, appearing soft and undefined in the profile view.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The cheekbones are moderately low, providing limited midface definition.

The midface and jaw shapes do not align, reducing facial harmony.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The eyebrows lack adequate horizontal length.

The upper forehead slopes backward excessively.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

9 ratios showing minor proportional variations that contribute to overall harmony score.