Lower Third Proportion0.1
Upper Forehead Slope3.3
Kaya Scodelario
Facial Harmony Analysis
Overall
6.8
Top 8.7%·Great harmony
Front
5.9
Top 34%
Side
8.3
Top 0.1%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.7
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.5
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.5
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.1
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
8.9
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
8.7
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.6
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
3.1%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.1%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.1%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
3.0%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
2.4%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.1%
Overly round eye shape
The eyes appear excessively round.
2.0%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.6%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.4%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.4%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
1.3%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
1.2%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
1.2%
Short middle third
The midface is too short vertically, compressing the central face.
1.0%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.7%
Overly upturned nose
The nose is overly upturned, creating an unbalanced nasal profile.
0.3%
Overly wide nose bridge
The nose bridge is excessively wide.
0.3%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
4.4%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
