Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)0.0
Submental Cervical Angle0.0
Kim Jong un
Facial Harmony Analysis
Overall
3.2
Bottom 8.5%·Poor harmony
Front
2.6
Bottom 2%
Side
4.3
Bottom 39%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.5
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.4
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.4
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.2
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.1
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.6
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
9.4%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
8.6%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
8.5%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
6.6%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.6%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
4.2%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.9%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
3.6%
Soft and weak brow ridge
The forehead has a softer, less prominent ridge than the ideal.
3.3%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
3.1%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
3.0%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.6%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.3%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
2.1%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
2.1%
Overly round eye shape
The eyes appear excessively round.
1.6%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.1%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.9%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.7%
Overly narrow nose bridge
The nose bridge is excessively narrow.
7.4%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
