This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

8 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The nose is too broad, creating an unbalanced facial appearance.

The upper lip extends too far forward, disrupting facial harmony.

The upper lip is excessively thick, creating disproportionate lip proportions.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The mouth is too slim, reducing expressiveness and facial proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The nose droops downward, creating an unbalanced nasal profile.

The lower lip juts out excessively, unbalancing the lower face.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The midface is underprojected.

The neck is too slim, appearing delicate and less proportionate to the face.

The face is excessively tall and narrow, creating an elongated appearance.

The lower face is too tall, creating an elongated chin and jaw.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The midface and jaw shapes do not align, reducing facial harmony.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The nose bridge is excessively wide.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The eyebrows lack adequate horizontal length.

The mouth corners are downturned, creating a frowning or sad appearance.

2 ratios showing minor proportional variations that contribute to overall harmony score.