This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

13 ratios showing strong performance but not fitting into specific categorized strengths.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The upper jaw is too short, creating an unbalanced lower face proportion.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The nose lacks forward projection, appearing flat and less defined in the profile.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower face is too tall, creating an elongated chin and jaw.

The lower lip is too recessed, reducing fullness and profile balance.

The cheekbones are moderately low, providing limited midface definition.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The eyes appear excessively round.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The eyebrows lack adequate horizontal length.

The forehead slopes backward excessively, altering upper face proportions.

The upper face (forehead) is too short, reducing vertical balance.

The mouth corners are downturned, creating a frowning or sad appearance.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

The forehead is too slim relative to the face, reducing upper face balance.

5 ratios showing minor proportional variations that contribute to overall harmony score.