Cheekbone height2.2
Upper Lip S-Line Position4.3
Theo James
Facial Harmony Analysis
Overall
7.0
Top 6%·Great harmony
Front
5.8
Top 39%
Side
8.9
Top 0.009%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.6
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.4
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.3
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.3
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
8.9
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.7%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.6%
Low-set cheekbones
The cheekbones are positioned too low, reducing midface prominence and youthfulness.
2.5%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.3%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.2%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
1.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.6%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.1%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.1%
Short middle third
The midface is too short vertically, compressing the central face.
0.8%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
0.6%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.4%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
3.0%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
