Nose Bridge to Nose Width0.0
Mentolabial Angle4.9
Florence Pugh
Facial Harmony Analysis
Overall
7.0
Top 5.8%·Great harmony
Front
6.2
Top 23%
Side
8.3
Top 0.1%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.9
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.6
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.5
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.5
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.4
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.4
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.1
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.8
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.8%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
4.4%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
2.3%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.0%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.0%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.0%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.7%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
1.7%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
1.7%
Overly compact midface
The middle of the face is too short, appearing compressed or wide.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.7%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.3%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
6.8%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
