This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The chin extends too far forward, unbalancing the facial profile.

The neck lacks angularity, appearing soft and undefined in the profile view.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The mouth is excessively wide, creating an unbalanced oral region.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The nose is too thin, appearing pinched or delicate relative to the face.

The neck is too slim, appearing delicate and less proportionate to the face.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The midface is underprojected.

The lower lip is excessively thick, creating disproportionate lip proportions.

The eyes are too far apart, creating a wide or stretched midface appearance.

The face is excessively tall and narrow, creating an elongated appearance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The eyes appear excessively round.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The midface and jaw shapes do not align, reducing facial harmony.

The eyebrows arch too high, creating an overly expressive or surprised look.

The nose droops downward, creating an unbalanced nasal profile.

The upper forehead slopes backward excessively.

The forehead slopes backward excessively, altering upper face proportions.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

The forehead is excessively wide, creating a disproportionate upper face.

5 ratios showing minor proportional variations that contribute to overall harmony score.