This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

14 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The nose is too long vertically, unbalancing the midface proportions.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.

The upper jaw is excessively long, unbalancing the lower face proportions.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The midface is too tall, elongating the central face.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The midface and jaw shapes do not align, reducing facial harmony.

The forehead slopes backward excessively, altering upper face proportions.

The eyes appear excessively round.

The lower lip juts out excessively, unbalancing the lower face.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The upper forehead slopes backward excessively.

The nose bridge is excessively narrow.