This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The eyes are positioned too close together, reducing midface balance.

The eyes are too wide, creating a less balanced facial appearance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin extends too far forward, unbalancing the facial profile.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The neck lacks angularity, appearing soft and undefined in the profile view.

The nose is too broad, creating an unbalanced facial appearance.

The entire face is too short and wide, reducing overall proportion.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The upper lip is set too far back, creating a flat or thin appearance.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The lower lip is too recessed, reducing fullness and profile balance.

The forehead slopes backward excessively, altering upper face proportions.

The midface is too tall, elongating the central face.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The nose bridge is excessively narrow.

The midface and jaw shapes do not align, reducing facial harmony.

The forehead is excessively wide, creating a disproportionate upper face.

5 ratios showing minor proportional variations that contribute to overall harmony score.