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Harmony
Loading Harmony
Harmony
Harmony


5.9
Good harmony
Top 34%This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
10.0This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9This indicates optimal forward projection relative to nasal height and facial structure.
9.9This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.9This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.9This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.8This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.6This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.4This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.4This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.2This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
8.6This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
8.67 ratios showing strong performance but not fitting into specific categorized strengths.
9.6The middle of the face is elongated, creating an unbalanced vertical proportion.
7.5%The jaw lacks curvature, appearing straight and less dynamic in shape.
4.1%The face is excessively tall and narrow, creating an elongated appearance.
4.1%The midface is underprojected.
3.1%The mouth is excessively wide, creating an unbalanced oral region.
2.7%The midface and jaw shapes do not align, reducing facial harmony.
2.6%The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.3%The chin lacks forward projection, creating a weak lower face appearance.
2.3%The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.6%The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
1.4%The eyebrows lack arch or tilt, appearing straight and less dynamic.
0.9%The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.8%The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.8%The nose tip is excessively pointed, creating a harsh appearance.
0.5%The nose bridge is excessively narrow.
0.4%8 ratios showing minor proportional variations that contribute to overall harmony score.
5.8%